Kurt Rosenwinkel opened his late set at The Village Vanguard on Thursday with a series of oblique phrases on his D’Angelico guitar, its tone evoking the aqueous glow of a bioluminescent bay. He soon settled into a syncopated two-bar figure that many in the room surely recog…
Keep reading with a 7-day free trial
Subscribe to The Gig to keep reading this post and get 7 days of free access to the full post archives.